In 1988, Deniece Williams, who had had a pretty good run of success on the pop charts with hits such as “Too Much, Too Little, Too Late”, “It’s Gonna Take a Miracle”, and the love-it-or-hate-it “Let’s Hear It For the Boy”, made a final trip to the Hot 100, where it spent eight weeks and peaked at #66, and the R&B top 10 (#8) with “I Can’t Wait”.
(As Good As It Gets was the last charting album for Deniece Williams for 19 years. It hit #48 on the Top R&B Albums chart.)
I truly don’t know why this song wasn’t a bigger hit. I know there were stations playing this at the time because I have a vintage November 1988 aircheck of Power 106 in LA playing it. Of course, you’d never, ever hear this on your current variety hits station (my local station’s slogan: “we play anything”). I suppose a classic R&B station (my local one is named “Jammin”) might be the likeliest candidate to play it, but since most of these stations have a very tight playlist, I guess that ship’s sailed as well.
Top 40 music in 1979 is probably remembered most for the beginning of the end of the disco era. The end of the year saw a big shift in the direction of pop music, exemplified best by The Knack’s “My Sharona”. However, to think of 1979 that way is way too simplistic. That year was also full of sugary ballads, the perennial hard rock, and, of course, yacht rock. This year featured the one and only chart appearance for one yacht rock artist, Roger Voudouris.
It’s not uncommon for a band member to leave a successful group and form his (or her) own group. Sometimes those later groups are successful themselves, and sometimes they aren’t. In the group of those bands which were somewhat successful, but forgotten, is the group Ironhorse.
Hi. I have set this blog aside to spotlight songs that were once popular, but now, at least in my opinion, they are not getting the attention that they deserve. This blog is intended to present an alternative to the same 100 songs that every mainstream classic hits radio station seems to love. Seriously, what classic hits station (or adult contemporary station, for that matter) doesn’t have “Take On Me” or “Come On Eileen” in its library? And are those songs any more worthy of being remembered than other songs? Not to me, they aren’t.