From what I have seen, sometimes a song becomes forgotten because of multiple reasons. Take, for example, an artist whose career has stretched six decades and counting, and add in the fact that the song in question was part of a short-lived foray into the world of disco, and you have the perfect recipe for a song that American radio leaves behind. Such is the case for a 1979 smash by Barbra Streisand. You may have heard of her before, but do you have any memory of “The Main Event/Fight”?
When arguably most people (and definitely most radio programmers) think of classic bands that break up and then get back together much later, they never seem to think of the music those bands made during the reunion phase. An obvious example – and perfect for this blog – would be the Eagles. After what is known to have been a very acrimonious breakup in 1980, they reformed over a decade later and released at least two songs that got a lot of airplay. But when was the last time you heard either of those songs, I ask you? Do you even remember the names of those two songs?
Today’s post will highlight the song that officially became the group’s final top 40 hit, “Get Over It”.
It’s not unheard of for a song to chart for multiple artists at the same time. It happened quite a bit in the early days of rock and roll. By the mid-70s, though, it was not nearly as common. There was one song, though, that charted for two different acts at the same time in 1976. Neither version gets much airplay now, of course, or this song wouldn’t be on this page, but I would imagine many people still remember Diana Ross’s version. But who remembers the 5th Dimension’s version of “Love Hangover”?
When you think of an artist like Natalie Cole, you might think of all sorts of things. You might think of her very famous father or her famous duet with him. Or, perhaps, some of her big hits from the 1970s (“This Will Be” or “I’ve Got Love On My Mind”, for starters) come to mind. Sandwiched between the 70s hits and her duet with her father, though, Natalie Cole had some lean years, but she also had one huge comeback album, which featured one of her biggest hits ever. Remember “Pink Cadillac”?
When one thinks of Herb Alpert, it’s easy to think about his long recording career. There were lots of hits, including a number one vocal hit and a number one instrumental hit. Most people, I would imagine, think mostly of the 1960s and 70s when thinking about all his hits. Fewer people, however, would think of a late 80s top ten hit that featured Janet Jackson.
It’s certainly not uncommon to hear of a popular recording artist switching labels. In some cases, the jilted label waits a while, then releases a greatest hits collection from that artist containing only those hits (and almost-hits) which that artist recorded while under contract to that particular label. And that’s all well and good. Less common, though, is for a label to continue to release singles by a long-gone artist. That, however, is exactly what happened with Donna Summer.
Once again, lovers of music from decades past have been saddened to hear of the passing of Aretha Franklin from cancer. To say that Ms. Franklin had a long and successful recording career, quite honestly, doesn’t do justice to the influence she had on many, many others.
Given all the chart successes enjoyed by Daryl Hall and John Oates in the mid to late 1970s and, especially, the early 80s, it’s not surprising that some of their songs from outside that period have fallen by the wayside. It’s possible, but certainly not proven, that their longer than usual hiatus after 1984’s Big Bam Boom caused them to be somewhat forgotten, even back then. But regardless, when the duo returned to the studio in the late 1980s, their songs, while fairly successful at the time, did not seem to have much of any staying power on American radio. Such was the case with “Everything Your Heart Desires”.
Any history of rock and roll music has to include Chuck Berry. One of the true pioneers of rock and roll, Mr. Berry started hitting the charts in 1955, right at the start of the rock era, and he achieved a level of fame that few people could reach. Whether it was his being the only rock artist to have a song (“Johnny B. Goode”) on Voyager 1’s Golden Record* or having a very tongue-in-cheek origin story told in Back to the Future, Chuck Berry is one of those few rock stars who will likely never be forgotten.
By far the biggest name to come out of the huge upswing in dance music in the late 1980s and early 1990s was Paula Abdul. To give the reader a sense of how pervasive Ms. Abdul’s music was in that era, it should be noted that her debut album, Forever Your Girl, is, as of this writing and per Ms. Abdul’s website, the third longest charting album on the Billboard Hot 100.*