This Beat Goes On/Switchin’ to Glide by The Kings

If someone were to mention The Kings to most Americans, my guess is that the most common response (other than “Who?”) would be something along the lines of “Hey, aren’t they that group that sang ‘Lola’?”  No, The Kings were a Canadian rock group that formed in the late 70s and, per the group’s official website, refer to themselves as a one-hit wonder…which they basically were.

The group’s website has a fairly good biography section that tells the story of The Kings.  Originally known as WhistleKing, the group mostly did club gigs at first before recording their first album.  In the process of doing that, they ran into a well-known producer named Bob Ezrin, who was all set to mix the tracks when he discovered that everything had to be redone.  Mr. Ezrin talked to Elektra Records and got the group signed to a deal, where they recorded everything again in an album which was released as The Kings Are Here in 1980.

(The Kings Are Here peaked at #74 on Billboard’s Hot LPs and Tape chart. Album ℗1980 Elektra Records. Photo courtesy

Though their one hit single would eventually contain the songs “This Beat Goes On” and “Switchin’ to Glide”, when the single was originally released, only “Switchin’ to Glide”, a song that appears to be about relaxing and gliding through life rather than stressing about it, was included.  The single did fairly well with just the second song, entering Billboard’s Hot 100 at a modest #90 for the week ending August 23, 1980 (chart).  It reached a peak at #56 the week ending October 4 (chart | magazine) and began to make its way back down the charts.

Strangely, though, the single got new life after that.  The Kings, who had always felt that “This Beat Goes On” (a song that appears to be basically about partying) and “Switchin’ to Glide” were “really two songs in one” (per their bio) insisted on including both songs on the single until Elektra Records finally gave in and released them together.  And then, as their bio continues, “radio really picked up on it”.  Radio stations in some areas gave the song heavy airplay (even though the two songs together are almost six minutes in length), and the single began to move back up the Hot 100, so that the single reached its ultimate peak at #43 in its 17th week on the charts, the week ending December 13 (chart | magazine).  According to, the single managed to remain on the charts for 23 weeks in total (though the group’s bio says it was on the charts “for over six months”).

Afterward, The Kings were never able to duplicate their early success.  A second album, Amazon Beach (presently available on Amazon only as a combination CD with The Kings Are Here) only hit #170 on the album chart, and The Kings were dropped by Elektra.  (The Kings themselves call Amazon Beach “really not that great an effort”.)  They have continued to record since then (though for smaller record labels), and they are still, as far as I know, continuing to play live shows as well.

The Kings, as I wrote earlier, realize that most of their fame comes from one single in 1980.  Deciding to capitalize on this, they have released on their site a DVD entitled “Anatomy of a One-Hit Wonder”.  (To those familiar with my blog: yes, Amazon has this, but for a much higher price than on The Kings’ webpage, so I could not in all good faith link to it.) “This Beat Goes On/Switchin’ to Glide” apparently (from what various people online have written) still receives airplay in some places, though I’ve never heard it apart from the long-running radio show Crap From the Past.  I’d love to hear more stations adding it to their playlists.



The Super Bowl Shuffle by The Chicago Bears Shufflin’ Crew

In late 1985, the Chicago Bears were dominating the NFL, cruising to a 15-1 record.  It was widely expected that they would continue to win easily all the way through the Super Bowl.

What was not widely expected is that they would release a hit song along the way.

The idea of a sports team recording a song wasn’t new–for example, the San Francisco 49ers had, on their way to winning Super Bowl XIX a year earlier, recorded a song called, so originally, “We’re the 49ers”.  That song did not make a dent on the charts, however.

But regardless of whether the Bears were aware of the 49ers’ effort a year earlier, they were convinced to release a rap song and video entitled “The Super Bowl Shuffle” during the regular season.  While Wikipedia (and multiple other sites which borrowed extensively from Wikipedia) state that the idea came from a “die-hard Bears fan” named Randy Weigand, this site featuring an oral history of the song seems to point more toward Richard “Dick” Meyer, who produced the song and owned Red Label Records, which released the single.  Most histories of the song agree that the idea for the title and lyrics came from the “Kingfish Shuffle”, which had its origins on “Amos & Andy” many years earlier.  These histories also seem to agree that the idea was first pitched to Bears receiver Willie Gault, who managed to get most of the rest of the team onboard.  (Bears defensive end Dan Hampton thought the song was a little arrogant and opted out.)

(This is about the only thing related to this song that I can upload without exposing myself to liability.  Free clip art courtesy

The Bears shot a video for the song, ironically, the day after their only loss of the 1985 season.  If you’ve seen the video, you know Jim McMahon and Walter Payton were unavailable that morning and were added in via the most up-to-date special effects available in 1985 (namely, a green screen). Steve Fuller, the backup QB that season, can be seen in the video with a broken foot, which typically is not good for dance moves (or for running like lightning, as Mr. Fuller purported to do in the song’s lyrics).

A week after that, “The Super Bowl Shuffle” was released.  It debuted on Billboard’s Hot 100 at #92 for the week ending January 11, 1986.  Four weeks later (after Chicago had already won Super Bowl XX), the song peaked at #41.  In total, the song spent nine weeks on the Hot 100.  Per Rick Geiser of (as quoted on’s oral history of the song), the song should have charted much higher than its peak of #41:

“The Super Bowl Shuffle” record should have been number one, or a Top 10 song. Based on sales, it did go gold extremely quickly. But because most radio stations didn’t officially add it to the playlists they reported to Billboard, it only got to number 41. It’s probably one of the only songs to go gold but never make it into the Top 10.

As stated in the first verse of the song by Walter Payton, the aim in recording “The Super Bowl Shuffle” was to “feed the needy”.  Specifically, this was done via a six-figure donation to the Chicago Community Trust.

Since then, there has been some outcry from the players about whether enough of the proceeds were donated to CCT, as well as whether they themselves were compensated fairly for participating.  Just last year, six former Bears filed a lawsuit against Julia Meyer (Dick Meyer’s widow–she also portrayed the referee in the video), who currently holds the rights to the song, and Renaissance Marketing Corporation, her agent for licensing the song.  The aim in the suit was to prevent non-charitable uses of the song and video.  At the time this blog entry was written, the suit was still pending.

Many football fans might remember more recently an ad for Boost Mobile featuring many of the same players who appeared in the original video.  However, as Willie Gault says here, he “was a little disappointed with the experience”:

I think they had an opportunity to make that really great and I tried to come up with some ideas for them. I thought we could redo “The Super Bowl Shuffle” in a great way and I gave them ideas and they thought they were OK, but wanted to go another way. It became a comedy about McMahon and Ditka as opposed to being about the team. 

It should be noted that Julia Meyer is very diligent in tracking down people who use images, audio, or video of “The Super Bowl Shuffle” without permission, and since this blog is more of a labor of love than anything else, I don’t really have any desire to deal with litigation.  Thus, unfortunately, I am unable to bring you a clip of the song.  However, Amazon (via a third-party seller) is selling new copies of the video, which I assume to be licensed, and so you can purchase the song here: